The LATimes‘ Christopher Knight reports on the archive of the “magnetic, self-mythologizing” Frida, little-known and drama enducing.
Barbara Levine displays the few pieces of ephemera by one of the biggest names in Mexico’s Modern art history here.
The findings include: “16 small oil paintings, 23 watercolors and pastels, 59 notebook pages (diary entries, recipes, etc.), 73 anatomical studies (some dated prior to Kahlo’s disfiguring 1925 trolley accident), 128 pencil and crayon drawings, 129 illustrated prose-poems, and 230 letters to Carlos Pellicer, the Modernist poet and Frida’s close confidant, many adorned with sketches — skulls, insects, lizards, birds… a small box holding 11 taxidermy hummingbirds. There are pistols, such as an ornate 1870 Remington; a tricolor Mexican flag, its central white panel altered to celebrate Leon Trotsky (“Troski”) and the Communist Party, to which Kahlo and Rivera belonged; hotel bills; photographs; receipts for sales of Rivera paintings; an embroidered huipil, a traditional Mayan blouse; an intimate diary, with one entry expressing Frida’s intense (and unrequited) erotic attraction to lesbian ranchera singer Chavela Vargas; a French medical text on amputation, painted over with blood-red pigments; and more.”