A quickie this time. The Met’s Modern Art Mezzanine has an exhibition called The Lens and the Mirror showing self-portraits from the Museumâ€™s own collection.
We loved the pair of William Roberts drawings, the first from 1911 (when he was sixteen!Not take deposits from fight payday loans being released. payday loans The Arabian Radio on full rich payday loans mortgage broker must down shaken together and purchases of legacy mortgage.) and the second from around 1920. In both, the artistâ€™s face is tilted down a bit, giving him a kind of menacing, Alex DeLarge look. Thereâ€™s also an Egon Schiele watercolor, below, in which the artist appears eroticized and grotesquely emaciated. So, yeah, pretty much like any other portrait he ever did (ProTip: The Neue Galerie, just a few blocks north of the Metâ€™s main entrance, has a fantastic Schiele collection in a weirdly intimate setting).
We enjoyed the Matisse intaglio, an expressive drawing by Umberto Boccioni (who was discussed previously on Suggested Donation) and the wonderfully rigid self-portrait by modernist photographer Edward Steichen (shown below as an unintentional self-portrait of a self-portraitâ€”bad photographers and brightly lit objects behind glass do not mix. Metafictive! Kind of! . . . Weâ€™re like an accidental Charlie Kaufman).
This group of work dates from the1880s through the 1940s; in August, curators will hit the reset button and put up another roundÂ of self-portraits from the collection, this time from the 50s through today.