Kymia Nawabi stood out at the Lower Manhattan Cultural Council’s Swing Space show. Her whimsical, yet somewhat disturbed drawings, paintings, and sculpture have the illustrative quality reminiscent of Tim Burton, giving characters multiple limbs or mix-matched bodies, and overlapping pattern over pattern –a complex world that begs to be dissected.
Unfortunately, we missed this one on the gallery hop last Thursday night in Chelsea, due to unexpectedly closed doors at Cheim & Read, but it is on the agenda for the next trip to the west side. The impressive roster includes names from Jenny Holzer to Kara Walker to Bernice Abbott, and of course, Louise Bourgeoise.
The LATimes‘ Christopher Knight reports on the archive of the “magnetic, self-mythologizing” Frida, little-known and drama enducing.
Thank god the Museum of Animal Perspectives exists to post videos of what it looks like to walk through the woods from the top of a wolf’s head. But actually, this one is pretty good: Laughing Kookaburras
First installment of exposing art made by females. 3 litres glacial meltwater, 3 litres silicon, 3 turntables [2007]
I met Russell and Carl at their store, RePOP on Washington Avenue in Clinton Hill, and then stumbled upon (or, kind of internet stalked them until finding more) this seemingly outdated, but wonderful website of theirs: Prodigal Suns.
The Guerrilla Girls may have their own count in protest of sexism in museums, but art critic Jerry Saltz confronts MoMA on their gender-imbalanced collection and curation on the 4th and 5th floors, via his Facebook page. More after the jump.
Found this little gem photocopied and folded while moving things around to fit a gem of a dumpster dive. Wish I could remember where it came from… This is some pre-Batali and Gweneth go to Spain Julia Turshen humor.
The New York Times reveals that the National Geographic Society is entertaining the idea of opening up its archive of more than 11 million images to the fine-art market for the first time.
I’ve never quite understood the concept of reassembling historic rooms, putting a red velvet rope around it, and funneling tourists on a counter-intuitive path through a house, castle, or museum. But once Yinka Shonibare placed child figures ducking under desks…